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		<title>The Hard Truths of Scientism</title>
		<link>https://nosha.info/the-hard-truths-of-scientism/</link>
		
		<dc:creator><![CDATA[Marty Bankson]]></dc:creator>
		<pubDate>Wed, 08 Aug 2018 03:36:29 +0000</pubDate>
				<category><![CDATA[atheism]]></category>
		<category><![CDATA[Book Review]]></category>
		<category><![CDATA[Richard Dawkins]]></category>
		<guid isPermaLink="false">http://nosha.info/?p=1923</guid>

					<description><![CDATA[—Traditionally these are questions for philosophy, but philosophy is dead. Philosophy has not kept up with modern developments in science, particularly physics. Scientists have become the bearers of the torch of discovery in our quest for knowledge. &#160; &#160; The Grand Design &#160;Stephen Hawking and Leonard Mlodinow. &#160; —Science is a way of thinking much more than it is a body of knowledge.&#160;&#160; Carl Sagan &#160; —Physical facts fix all the facts.&#160;&#160; Alex Rosenberg &#160; One making the claim that [...]]]></description>
										<content:encoded><![CDATA[<div id="dslc-theme-content"><div id="dslc-theme-content-inner"><blockquote><p><i><span style="font-weight: 400;">—Traditionally these are questions for philosophy, but philosophy is dead. Philosophy has not kept up with modern developments in science, particularly physics. Scientists have become the bearers of the torch of discovery in our quest for knowledge. </span></i></p>
<p>&nbsp;</p>
<p><span style="font-weight: 400;">&nbsp;</span></p>
<p><span style="font-weight: 400;">The Grand Design &nbsp;</span><i><span style="font-weight: 400;">Stephen Hawking and Leonard Mlodinow.</span></i></p>
<p>&nbsp;</p>
<p><i><span style="font-weight: 400;">—Science is a way of thinking much more than it is a body of knowledge</span></i><i><span style="font-weight: 400;">.&nbsp;&nbsp;</span></i></p>
<p><span style="font-weight: 400;">Carl Sagan</span></p>
<p>&nbsp;</p>
<p><i><span style="font-weight: 400;">—Physical facts fix all the facts.&nbsp;&nbsp;</span></i></p>
<p><span style="font-weight: 400;">Alex Rosenberg </span></p>
<p>&nbsp;</p></blockquote>
<p><span style="font-weight: 400;">One making the claim that a certain ideology, discipline, theology, practice or philosophy is the only way to understanding reality—and that all other fields of thought are subordinated to its methods of inquiry and findings—invites the criticism that such a conclusion is one that can’t or won’t address contradictory reasoning or evidence, or something that is ultimately unprovable. After all, the critic points out, there could be more than one such way to the truth of reality, another way of knowing the nature of reality, assuming in the first place there is even such a thing or, if so, &nbsp;it is discoverable and knowable at all. These are the primary criticisms of </span><i><span style="font-weight: 400;">scientism </span></i><span style="font-weight: 400;">and its proponents because it makes </span><i><span style="font-weight: 400;">just that</span></i><span style="font-weight: 400;"> claim, and in criticisms that have come from diverse sources the words “scientism” and “scientistic” are, more often than not, used in a pejorative sense. Its detractors range from theologians to postmodern relativists, &nbsp;academics in the humanities, from politicians on the left and right, and even to philosophers of science. </span></p>
<p><span style="font-weight: 400;">Rik Peels, Assistant Professor of Philosophy at Vrije Universiteit Amsterdam makes the distinction between “restricted” and “unrestricted” scientism, wherein the restricted version limits its inquiry to “a specific realm, or particular topic,” but the unrestricted variety makes the broadest assertions about metaphysical truths and the nature of reality and its accessibility only through the discipline of science.</span></p>
<p>&nbsp;</p>
<p><span style="font-weight: 400;">Philosopher Alex Rosenberg has perhaps presented the definitive explanation of the “unrestricted” version of scientism in his recent book </span><i><span style="font-weight: 400;">The Atheist’s Guide to Reality: Enjoying Life Without Illusions </span></i><span style="font-weight: 400;">(W.W. Norton and Co., New York. 2012), and offers as thorough of an A-Z outline of the modern naturalist’s view of the human condition as could be expected in a book of less than 400 pages. The book, he says, is not meant to de-convert the religious, but as a supplement to those already of the naturalist, scientifically-leaning mindset. Atheists, agnostics, sceptics, and freethinkers will find some novel ideas supplementing their worldview, paralleling theories familiar to them from works of evolutionary biologists such as Richard Dawkins, Stephen Jay Gould; cosmologists Stephen Hawking and Carl Sagan, and neuro/cognitive scientists Sam Harris and and Steven Pinker—and classical Newtonian physics. This is the stuff that debunks theism and eviscerates supernaturalism. The simpler explanation is usually the best, and if we are gaining new understanding without the need for interpreting an other-worldly cause on top of it all, the better off we all are, partly because, as Rosenberg quips, “”Reality is rough. But it could have been worse. We could have been faced with reality in all its roughness </span><i><span style="font-weight: 400;">plus</span></i><span style="font-weight: 400;"> a god who made it that way.” </span></p>
<p>&nbsp;</p>
<p><span style="font-weight: 400;">Rosenberg weaves standard fare elementary particle &nbsp;physics from its building blocks of matter and fields—fermions and bosons—from which all of the physical world can be reduced, and builds the case that all there is in the universe, from the barren rocks in deep space to the warm, breathing, replicating biological life forms found on our little rock Earth,are these two elementary particles working in harmony to the tune of the hard score of a set deterministic laws. No purpose, no design: all beginning from a quite random, improbable beginning; but all too possible and documentable to have required the introduction of an interminably inexplicable supernatural creator. Before the emergence of life on earth 3 billion years ago , amino acids, essential to protein formation, and the other chemical building blocks of life were likely created from existing chemical elements and compounds known to exist in earth’s atmosphere, and, in combination with an electrical charge as demonstrated in the</span><a href="https://youtu.be/NNijmxsKGbc"><span style="font-weight: 400;"> Miller-Urey experiment</span></a><span style="font-weight: 400;">, falsified the earlier belief that such compounds could be created only from previous lifeforms. Once the emergence of the simplest prokaryotes appeared, the race of replicating life in all its diversity was </span><i><span style="font-weight: 400;">on. </span></i><span style="font-weight: 400;">Charles Darwin showed how </span><i><span style="font-weight: 400;">accumulated </span></i><span style="font-weight: 400;">random mutations, combined with a natural selection (Rosenberg uses this term interchangeably with “environmental filtration”) made possible the kaleidoscopic array of species over the eons. </span></p>
<p>&nbsp;</p>
<p><span style="font-weight: 400;">So far, so good, right? All-natural causes of origins and subsequent development of the universe. </span><i><span style="font-weight: 400;">Purpose</span></i><span style="font-weight: 400;"> and </span><i><span style="font-weight: 400;">design </span></i><span style="font-weight: 400;">are both unnecessary and improbable in the equation—the explanatory power of chance and randomness is again the winner over superimposing an infinitely complex intelligence at the root of it all. In a deterministic universe, where </span><i><span style="font-weight: 400;">physical facts fix all the facts</span></i><span style="font-weight: 400;">, the human brain is the most complex of physical structure of all, but still subject to the processes that preceded it, with no free will, no soul, no “self” independent of the living brain with its 100 billion neurons wired together by 100 trillion synaptic connections.The biggest hindrance to “accepting science’s answers to life’s persistent questions is the human love affair with stories and storytelling.” Because of the way we like our information packaged, perhaps hardwired into our genes, we are “suckers for a good story,” Rosenberg says, “</span><i><span style="font-weight: 400;">events</span></i><span style="font-weight: 400;"> &nbsp;in the form of a</span><i><span style="font-weight: 400;"> plot</span></i><span style="font-weight: 400;"> with </span><i><span style="font-weight: 400;">characters </span></i><span style="font-weight: 400;">driven by </span><i><span style="font-weight: 400;">motives</span></i><span style="font-weight: 400;">,” and “if information doesn’t come in story form, we have trouble understanding it, remembering it, and believing it.” And the problem with that? All physical laws of the universe, save one, are </span><i><span style="font-weight: 400;">time-reversible,</span></i><span style="font-weight: 400;"> i.e., they work either way, and could create a reverse chronological sequence of results. A typical story starts at a beginning, with a middle and a tidy end resulting in a satisfying exposition from the everyday &nbsp;to the complicated descriptions of “what happened,” from your trip to the grocery this morning to God’s creation of the Earth in 6 days. And the temptation to embellish stories on the fly is one that most fail to resist. “Narrative” is a word extremely overused these days, and heard usually in a sceptical sense if not totally pejoratively. Though it’s just a coincidence, it expresses scientism’s critique of stories as a source of truth: they are unreliable at best, or just dead wrong, devoid of any corresponding physical facts, past or present. And history? Merely a form of entertainment.</span></p>
<p>&nbsp;</p>
<p><span style="font-weight: 400;">And about that one law of physics that is not reversible, the one that doesn’t “run” with equal ease forward or backward? The Second Law of Thermodynamics holds true for almost all cases, though an extremely minute possibility exists that it may not. The law states that, in a closed system, entropy (or disorder, or the loss of ability to do work) increases. “The most probable distribution of matter and energy in the universe is the completely even distribution of everything,” says Rosenberg, and that is the apparent fate of the universe. Stars burn out, heat, energy, and mass dissipate into a homogenized mixture of neutered fermions and bosons, bound for the &nbsp;the inevitable “heat death” of the universe. </span></p>
<p>&nbsp;</p>
<p><span style="font-weight: 400;">Is this the cheerless reality that science leads us to—our universe as a random and spontaneous, an undesigned and purposeless set of particles of matter and energy, destined to eventually turn out the lights on itself and any possibility of permanence, with the prognosis of the inevitable extinction of present and future lifeforms? Is humanity left directionless on a &nbsp;vast ocean of moral choices, with no North Star for bearing, and no sacred scripts for guidance? That is the foundation of nihilism, of course, but Rosenberg sees a glimmer of hope and reason to live, at least for the time being. His “nice nihilism” proposes that even without a sacrosanct verification of what is a good or evil ethic, or checklist for acceptable behavior, we have inherited through natural selection in Darwin’s law—a “core morality”—that can be seen to have developed early in the stages of the evolution of humanity. It centers on two premises and their multitude of documentable derivations:</span></p>
<p><span style="font-weight: 400;">—”All cultures...endorse most of the same core moral principles as binding on everyone.</span></p>
<p><span style="font-weight: 400;">—”The core moral principles have significant consequences for humans’ biological fitness—for our survival and reproduction.” </span></p>
<p><span style="font-weight: 400;">The evolutionary origins of “principles,” and “survival” as rudimentary forms of morality taking form in altruism and cooperation has no shortage of support in the past several years, and expressed quite effectively by Richard Dawkins as an extrapolation from his “selfish gene” theory. But in the end, neither science or scientism can give a good argument for the “supreme or intrinsic value of science...scientific explanation of what we value cannot justify those values or serve as a basis to enforce them on others….[and] since science is the only possible source of justification, if it doesn’t work to justify values, nothing does.”</span></p>
<p>&nbsp;</p>
<p><span style="font-weight: 400;">……..</span><i><span style="font-weight: 400;">to be continued. &nbsp;</span></i><span style="font-weight: 400;">More from Rosenberg’s book, “Secular Humanist: Who Needs It?” &nbsp;and trying to put it all in perspective.</span></p>
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		<title>Taking A Leap Of Faith</title>
		<link>https://nosha.info/taking-a-leap-of-faith/</link>
		
		<dc:creator><![CDATA[NOSHA]]></dc:creator>
		<pubDate>Mon, 26 Sep 2011 21:27:00 +0000</pubDate>
				<category><![CDATA[atheism]]></category>
		<category><![CDATA[Charlie Hunnam]]></category>
		<category><![CDATA[The Ledge Movie]]></category>
		<guid isPermaLink="false">http://nosha.info/taking-a-leap-of-faith/</guid>

					<description><![CDATA[Some movies are never meant to go very far or make much of a splash, but that doesn’t mean that they won’t make you think about their message long after you leave the theatre. I have a soft spot for films that can do that in spite of any lack of critical support. I must admit I felt some trepidation about seeing The Ledge&#160;because I didn’t want it to be a movie that I regretted seeing and sharing with friends. [...]]]></description>
										<content:encoded><![CDATA[<div id="dslc-theme-content"><div id="dslc-theme-content-inner"><div style="clear: both; text-align: center;"></div>
<div style="margin: 0in 0in 0pt;">Some movies are never meant to go very far or make much of a splash, but that doesn’t mean that they won’t make you think about their message long after you leave the theatre. I have a soft spot for films that can do that in spite of any lack of critical support.</div>
<div style="margin: 0in 0in 0pt;"></div>
<div style="margin: 0in 0in 0pt;">I must admit I felt some trepidation about seeing <a href="http://ledgemovie.com/">The Ledge</a>&nbsp;because I didn’t want it to be a movie that I regretted seeing and sharing with friends. I’ve chosen a few of those gems in the past year (“Skyline” comes to mind and, boy, was that a stinker.) When it happens, all you can hope is that it’s <i style="mso-bidi-font-style: normal;">so</i> horrible that you will giggle time and again when someone reminds you of your awful pick.</div>
<div style="margin: 0in 0in 0pt;"></div>
<div style="margin: 0in 0in 0pt;">“The Ledge” did seem like a gamble and, in fact, I suspect a few friends didn’t go because they anticipated it would be as bad as the reviews seemed to imply. <em>“If it had been a great movie, wouldn’t it have been given a lot more coverage?”</em> queried a close friend. That’s a logical assumption to make. But in my case, at least, the gamble paid off and it’s worth explaining why.</div>
<div style="margin: 0in 0in 0pt;"></div>
<div style="margin: 0in 0in 0pt;">On the way to the theater, I read a very hopeful review by atheist blogger, <a href="http://gretachristina.typepad.com/greta_christinas_weblog/2011/06/theledge.html">Greta Christina</a>, and she laid out a reasonable and decent summary that made me aware of the expected faults and how the story still offered something for non-believers and believers alike. Christina felt this would open a door for discussion of the myths that society has about atheism in general and might lead to our own cultural acceptance, much like what has happened over the years in films dealing with the LGBT movement. It’s a start no less.</div>
<div style="margin: 0in 0in 0pt;"></div>
<div style="margin: 0in 0in 0pt;">What intrigued me most is how scathingly dismissive many of the reviews have been. It’s almost as if the film we saw, and really liked for the most part, is not the same one seen by the majority of reviewers. My honest experience was this movie is not nearly as dreadful as we’ve been led to believe. Yes, there were moments of clunky dialogue. Yes, there were some contrived plot points. But many movies with what I would consider to be heftier amounts of clumsiness and contrivance have gotten less withering reviews than “The Ledge.”</div>
<div style="margin: 0in 0in 0pt;"></div>
<div style="margin: 0in 0in 0pt;">What resonated for me was that everything about this film felt authentic in many small ways and that was fascinating when so much of the reviews frothed at the mouth about how overly “dramatic” or overly “stale” the production was (on and on and on the negativity flowed.) I even found the sex scenes to be quite compelling, which at my age is quite an achievement for any <city w:st="on"><place w:st="on">Hollywood movie</place></city>. The audience does have to accept a few clichéd storylines in order to let the story flow, but then movies in general have that in common, even good ones sometimes. </div>
<div style="margin: 0in 0in 0pt;"></div>
<div style="margin: 0in 0in 0pt;">First, the actors were sincere in their performances, and I was prepared to do a lot of eye rolling. I’m not even a lukewarm fan of any of the actors in fact, but I have seen most of them in excellent films, so I assumed they would be more than&nbsp;sufficient for a small film like this.</div>
<div style="margin: 0in 0in 0pt;"></div>
<div style="margin: 0in 0in 0pt;">The protagonist, Gavin, portrayed by <a href="http://charlie-hunnam.org/">Charlie Hunnam</a> (“<a href="http://www.fxnetworks.com/shows/originals/soa/">Sons of Anarchy</a>”), could pass for a younger, blonder-locked&nbsp;brother of Heath Ledger. He provided some of the most laughable dialogue early on, but he redeemed the character by the end, thankfully. His good looks and long hair may also not be as believable as a mid-level manager of a hotel (in <city w:st="on"><place w:st="on">Baton Rouge</place></city>), but what he lacks in a perfect fit professionally, he more than makes up for as one of us when he’s on the prophetic ledge. And <a href="http://ledgemovie.com/crew">Liv Tyler</a> was at her best as the vulnerable, pale and unsophisticated neighbor wife, Shanna. In fact, I can’t imagine Tyler playing any role other than a female lead who oozes helplessness and compassion. Her voice and demeanor was simply spot on for this kind of woman. Somehow, they tap into her plainness which makes her that much more real. (Is that another miracle?) </div>
<div style="margin: 0in 0in 0pt;"></div>
<div style="margin: 0in 0in 0pt;">Patrick Wilson was the real shocker for me. <city w:st="on"><place w:st="on">Wilson</place></city> has always played the everyman, the good guy, and has been somewhat forgettable only because he is the never the main course, always the supporting friend or lover. And I can understand if the filmmakers are criticized a little for making him slightly one dimensional with the predictable Christian hang ups. However, his Joe hits a&nbsp;major home run in a confrontational scene with Gavin. You can’t help but feel for him deeply and his pain is heartfelt. Several of us commented on how moving his scenes were and we’re all major non-believers. Needless to say, no one was phoning it in and it shows.</div>
<div style="margin: 0in 0in 0pt;"></div>
<div style="margin: 0in 0in 0pt;">The central idea I took from this film was that atheism wasn’t necessary for the story to challenge the audience. In fact, <em>not</em> being religious isn’t necessary to drive home the point in this story. The question our hero must answer is what would you do for another human being? What would you be willing to sacrifice?&nbsp;It is what disturbed me the most and stuck with me well into a sleepless night. </div>
<div style="margin: 0in 0in 0pt;"></div>
<div style="margin: 0in 0in 0pt;">I simply can’t imagine facing that question in the way that Gavin does. And perhaps that may derail it for someone not in the mood for this film. I always do that in a movie like this: <em>solve the problem magically in a different way than the protagonist</em>. Then it would have been much shorter and more mundane, which may be how the reviewers saw it and that’s a real shame. So, it figures that if you don’t allow yourself to be swept up in the story, you may indeed&nbsp;miss the central message.</div>
<div style="margin: 0in 0in 0pt;"></div>
<div style="margin: 0in 0in 0pt;">Do I think there were a few of the reviewers who may have allowed their dislike of the A-word or their religious beliefs to color their potential appreciation of the film? Possibly, because it follows that we can’t expunge our fundamental viewpoints from our personalities (and anyone who tells differently is usually the worst offender). But I don’t think it was a theistic conspiracy either. Perhaps, atheists simply find the questions in this film more gripping than a typical movie reviewer, so we had a totally different frame of reference than judging the merits alone. </div>
<div style="margin: 0in 0in 0pt;"></div>
<div style="margin: 0in 0in 0pt;">Do I think some of the reviews were overly harsh? Most definitely, which is why I pushed myself to compose these thoughts so you just might&nbsp;give it a chance.</div>
<div style="margin: 0in 0in 0pt;"></div>
<div style="margin: 0in 0in 0pt;">In the end, sometimes you have to go out on a ledge and trust yourself. </div>
<div style="margin: 0in 0in 0pt;"></div>
<div style="margin: 0in 0in 0pt;">*************************************</div>
<div style="margin: 0in 0in 0pt;">"The Ledge" was directed by Matthew Chapman, the great, great grandson of Charles Darwin. It was filmed in Baton Rouge, Louisiana and released in the summer of 2011.</div>
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<p><span style="background-color: #e3cca3; color: black; font-family: &quot;helvetica&quot; , sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><a href="http://ledgemovie.com/how_to_help/how2help"><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;">You can see The Ledge right now through Video on Demand (your cable service), through the<span>&nbsp;iTunes Store</span></span><span style="font-family: &quot;times&quot; , &quot;times new roman&quot; , serif;">, or on the Internet at<span>&nbsp;Sundance Now</span></span></a></span></p>
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